Loading…
Attending this event?
Welcome to the APME Los Angeles 2024 conference. Here you’ll be able to register for the conference and update your Sched profile. A draft of the conference schedule will be available beginning March 1. At that time,  you’ll be able to view the schedule and select what presentations you’d like to attend. If you have any questions, please visit our conference website or contact us at conference@popularmusiceducation.org We look forward to coming together as a community June 5–8 to consider the past, present, and future of popular music education.
Instrumental Pedagogy/Genre Focused [clear filter]
Thursday, June 6
 

10:15am PDT

Addressing Social Class in Popular Music Education

This presentation aims to address the absence of class in popular music education by 1) providing a framework for how to conceptualize class; 2) applying these frameworks to various genres, including, country, hip hop, punk, and classical music; and 3) offering recommendations for incorporating class consciousness into popular music education. 

Speakers
avatar for Joseph Abramo

Joseph Abramo

Dr. Joseph Abramo is an educator with 22 years of experience and is currently a professor of music education at UConn where he teaches graduate and undergraduate courses. He has eight years of teaching middle and high school experience in an urban school district in New York State... Read More →


Thursday June 6, 2024 10:15am - 10:45am PDT
The Music Complex G150

10:45am PDT

Country Music in the Classroom: Practical, Political, and Philosophical Considerations

Country music’s student-age fanbase is growing rapidly, but it remains largely excluded from the school music curriculum. This presentation offers some considerations for country music’s possible inclusion in the music classroom with particular attention to three concerns: the practicality of teaching country, the tricky politics of country, and the implications of incorporating country into the curriculum for music education philosophy.

Speakers

Thursday June 6, 2024 10:45am - 11:15am PDT
The Music Complex G150

11:30am PDT

Blue Hawk Records: Transformative Learning | High Student Engagement | Brand Awareness | Real-world Outcomes

As an innovative part of the Music Industry degree program at Monmouth University, Blue Hawk Records offers an immersive and collaborative opportunity for students to obtain real-life experience in the various aspects of a recording business venture. This presentation will discuss the context and rationale for developing the student-run record label initiative, along with the methods, outcomes, and challenges of this flagship university program. Attendees will learn how schools might develop and benefit from establishing a similar program.

Speakers
avatar for Joe Rapolla

Joe Rapolla

Dir. Music Business Program, Monmouth University
University Chair, Program Builder, Educator, General Manager & Strategist. Father, Husband, Singer, Songwriter, Surfer, Runner, B-Ball Playa. Giver!


Thursday June 6, 2024 11:30am - 12:00pm PDT
The Music Complex G150

12:00pm PDT

Yonkers The Lost City of Hip Hop
Hip-hop is a musical movement that emerged in the Bronx in the 1970s, but it also grew and
developed in Yonkers, a city that has produced some of the most influential artists and pioneers of the genre. In this presentation, I will explore and go through the foundational timeline and how Yonkers contributed to the evolution of hip-hop, from the early DJ battles, parties, practioners ,Graffiti artist and dancers. Decades before to the rise of global stars like DMX, Mary J. Blige, and Jadakiss. I will use pictures, flyers, and documents to illustrate the history and mpact of Yonkers’ hip-hop scene, as well as readings from the book with testimonies from practitioners and venue owners who witnessed and participated in the growth of the culture. I will also discuss how Yonkers’ hip-hop legacy is being celebrated and preserved today, as the genre marks its 50th anniversary. My presentation aims to show that Yonkers is not only a lost city of hip-hop, but also a vital and vibrant part of its past, present, and future.

Speakers

Thursday June 6, 2024 12:00pm - Saturday June 8, 2024 4:00pm PDT
Online

2:00pm PDT

Songwriting: A Tool for Empathy, Empowerment & New Learning in the Classroom

Songwriting is a powerful resource for understanding ourselves and the world around us. By teaching songwriting we open the door to new learning, self-discovery and expression. I share my experience as a songwriting teacher and mentor to at-risk youth, and discuss songwriting as a tool in the classroom.

Speakers
avatar for Courtney Fortune

Courtney Fortune

Singer-songwriter, Songwriting Coach, Author, Songmaker Sessions
Looking forward to connecting with you! Find me on IG: @courtneyfortunemusic


Thursday June 6, 2024 2:00pm - 3:00pm PDT
The Music Complex G150

2:00pm PDT

The Rise of Racism in Country Music

Country music’s origins in the Black community bring perspective to the racism that has persisted and recently has been rising. Emerging artists like Lil Nas X mark a significant turning point. His hit, Old Town Road, defied genre boundaries, and is influential in reshaping country music's narrative.

Speakers

Thursday June 6, 2024 2:00pm - 3:00pm PDT
The Music Complex G150

3:15pm PDT

Multi-Instrumentalistism for Popular Music Educators

Among the many unique aspects of popular music is the prevalence of multi-instrumentalism. As popular music educators, we often find ourselves becoming multi-instrumentalists out of necessity. This hands-on workshop provides concrete strategies to improve our own multi-instrumentalism as well as teach student multi-instrumentalists.

Speakers

Thursday June 6, 2024 3:15pm - 4:15pm PDT
The Music Complex 112

4:30pm PDT

Music Licensing for visual media: Television & Film.

Music Supervision is the synchronization of Music to Visual Media. We will discuss the role of a music supervisor and the role as an integral cog in post-production. We will dive into Confirmation of Rights, Quote Requests, Approvals, Music Status Charts, Working with directors, Composers, line Producer, Archival, Legal, etc. & "How/ when to Pitch your intellectual property."

Speakers

Thursday June 6, 2024 4:30pm - 5:00pm PDT
The Music Complex G150

5:00pm PDT

Location, Location, Location: Comparing real-estate values of performing arts centers vs. stadiums and arenas

To better understand the impact of certain types of venues in LA County, this research compares the real-estate values of homes located in zip codes with performing arts centers versus stadiums and arenas used for sports and popular music concerts. This research determines how venue type affects local communities.

Speakers
avatar for Kate Gargiulo

Kate Gargiulo

Instructor - Ticketing and Membership, Tessitura Network
Music industry, ticketing technology, live event industry, music theory


Thursday June 6, 2024 5:00pm - 5:30pm PDT
The Music Complex G150
 
Friday, June 7
 

11:30am PDT

Band AND

Band AND will focus on three ways to adapt our curriculum in traditional ensembles: Changing warmups to playing scales and arpeggios to a contemporary music track; changing the repertoire we program to include contemporary genres; and an innovative unit called Band AND which includes songwriting, production, improvisation, and more.

Speakers
avatar for Eric Songer

Eric Songer

Music Educator, Eastern Carver County School District
27 years is a long time to teach middle school music, but I love it. I was hired to direct concert bands, but the program is much more than that. Students write songs, produce, form their own bands, learn non-band instruments, rap, beatbox and more. Our students perform in rock bands... Read More →


Friday June 7, 2024 11:30am - 12:00pm PDT
The Music Complex G150

12:00pm PDT

Joining the Wave: A Case for K-pop Implementation in the K–12 Music Classroom

K-pop has in recent years become a global cultural phenomenon. This session will give an introduction to the history of K-pop, it’s place in the global music stage and how K-pop can be a powerful medium for engaging students in culturally responsive world music pedagogy and conversations promoting social justice.

Speakers
avatar for Christy Go

Christy Go

PhD Student, University of Colorado Boulder
Christy Go is a current PhD student in Music Education at the University of Colorado Boulder. Prior to pursuing her doctoral studies, Christy taught K-8 general music, modern band and orchestra in Aurora, Colorado and taught abroad in the United Kingdom and Japan. Her research interests... Read More →


Friday June 7, 2024 12:00pm - 12:30pm PDT
The Music Complex G150

2:00pm PDT

Culturally Responsive Pedagogies and Modern Band: A Case Study
One of the ways teachers are introducing popular music into their classroom is through the use of a Modern Band ensemble. The purpose of this study is to examine how one modern band teacher in an urban school setting responds to the musical interests and cultures of the students in their classroom.


Friday June 7, 2024 2:00pm - 2:30pm PDT
The Music Complex G156

2:00pm PDT

Integrating Orchestral String Instruments Into Popular Music Making

This workshop will explore the integration of orchestral string instruments (violin, viola, cello, double bass) into myriad genres of popular music making. Equal parts historical retrospective, presentation of ideas/strategies/activities, and interactive hands-on musical experiences, attendees will learn about the ubiquity of strings in popular music, the importance of implementing popular music making experiences into the orchestra classroom, and engage in music making activities that can be replicated in the classroom.



Speakers
avatar for Leo Park

Leo Park

Orchestras and Electronic Music/Beatmaking, Maine South High School
Leo Park has been the director of orchestras at Northside Prep since 2001. He is a graduate of DePaul University's School of Music and earned a Masters of Music Education Degree from VanderCook College of Music. Leo has also served as instructor of string pedagogy and methods at Northeastern... Read More →


Friday June 7, 2024 2:00pm - 2:30pm PDT
The Music Complex G150

3:15pm PDT

Teaching about Copyright and Related Music Industry Revenue
Explaining how copyright law and related music industry revenue works to high school and college undergraduate students can be challenging. These are complicated topics, and it can be difficult to know how much information to provide and how to structure it so that it can be understood by these age groups. Giving students foundational knowledge on these topics can help them navigate the complexities of the music industry and protect their musical creations. Educators may feel hesitant to discuss these topics because they have not developed a clear understanding themselves and find the subject intimidating. This session will explore resources that are available to help educators gain a clear understanding of the topics and some ways they can approach teaching it to their students.

Speakers
avatar for Serona Elton

Serona Elton

Head of Educational Partnerships, The Mechanical Licensing Collective (The MLC)
Serona Elton serves as Head of Educational Partnerships for The Mechanical Licensing Collective (The MLC). In this role, Elton directs The MLC’s efforts to engage future members of the music industry currently studying music business and related subjects at colleges and universities... Read More →

Sponsors
avatar for The Mechanical Licensing Collective

The Mechanical Licensing Collective

The Mechanical Licensing Collective (The MLC) is a nonprofit organization designated by the U.S. Copyright Office pursuant to the historic Music Modernization Act of 2018.In January 2021, The MLC began administering blanket mechanical licenses to eligible streaming and download... Read More →


Friday June 7, 2024 3:15pm - 4:15pm PDT
Raubenheimer Music Faculty Building 106
 
Saturday, June 8
 

9:00am PDT

Praciticing Pop Instruments Intelligently with Technology

Practicing well can be a challenge for developing musicians. Informal learners in particular can fall into habits that do little to affect positive progress in the practice room, especially when technology is involved. This session will demonstrate several ways to practice pop instruments intelligently, with and without technology tools.

Speakers
avatar for Rick Palese

Rick Palese

Musician, Educator, Scholar, A&R Palese Collaborative, LLC
Rick Palese is a musician and educator based in Austin, TX. He has taught a variety of music learners representing elementary, secondary, and post-secondary levels. Rick has been on the music education faculty at VanderCook College of Music and The Ohio State University. Most recently... Read More →


Saturday June 8, 2024 9:00am - 9:30am PDT
The Music Complex G150

10:15am PDT

The Song Factory: Pop Songwriting in the Classroom

Participants are given a songwriting prompt, and writ and perform a short song for the group. The purpose of this experience is to demonstrate the value of songwriting for both secondary-level and university-level music programs, and to suggest approaches for designing projects in such classes.

Speakers
avatar for Ethan Hein

Ethan Hein

Adjunct, New York University
Ethan Hein holds a PhD in Music Education from New York University. He is an adjunct professor of music at NYU and the New School, where he teaches songwriting, music theory and production. As a founding member of the NYU Music Experience Design Lab, Ethan has taken a leadership role... Read More →


Saturday June 8, 2024 10:15am - 11:15am PDT
The Music Complex G150

11:30am PDT

Tuning into Dissonance: Teaching the Power Imbalances in Crossover Music Cultures

This research proposal explores power imbalances in crossover music, examining how different cultures and countries influence and interact within this genre. By analyzing songs like 'Waka Waka' and 'Lean On,' it aims to provide educators with tools to teach about cultural tensions and ethics in music, aligning with APME's focus on diversity and inclusion.


Saturday June 8, 2024 11:30am - 12:00pm PDT
The Music Complex G150

12:00pm PDT

Music Education Island

The misalignment between what is being taught, and what many students want to learn is putting the future of school music in jeopardy. This session gives perspective on how teacher dictatorships cause learning barriers. Countering strategies that promote a democratic classroom will also be discussed in this session.

Speakers
avatar for Adrian Davis

Adrian Davis

Adrian Davis, a native of Memphis, Tennessee, is a proud resident of the Minneapolis northside. He is currently the Music and Arts Facilitator for Minneapolis Public Schools. He is also a newly appointed Assistant Professor of Music Education at the University of Minnesota, and the... Read More →


Saturday June 8, 2024 12:00pm - 12:30pm PDT
The Music Complex G150

3:15pm PDT

I Would Kill for a Class Like That!: Action Research on Modern Band in the International Baccalaureate MYP Framework

This presentation will share findings from action research on implementing a modern band class within the International Baccalaureate Middle Years Programme framework. What will be uncovered from such partnership, may help popular music educators look at the present of modern band through critical lenses, providing suggestions to navigate the future.

Speakers
avatar for Luiz Pepe Barcellos

Luiz Pepe Barcellos

Ph.D. Teaching and Learning Student, Georgia State University
Brazilian guitarist, composer, and percussionist from Rio de Janeiro, Pepe has released two albums of original songs and has composed music for film, theatre, dance, and animation. A well-known music educator, he has taught at The British School in Rio for eight years and at Escola... Read More →


Saturday June 8, 2024 3:15pm - 3:45pm PDT
The Music Complex G150
 
  • Timezone
  • Filter By Date APME Los Angeles 2024 Jun 5 - 8, 2024
  • Filter By Venue Thornton School of Music, University of Southern California
  • Filter By Type
  • APME LIVE
  • Business/Entrepreneurship
  • Community Music
  • Contemporary Commercial Music (CCM) Voice Pedagogies and Practices
  • General
  • Genre Specific
  • HPME
  • Instrumental Pedagogies and Practices
  • Instrumental Pedagogy/Genre Focused
  • K–12 Education
  • Technologies in Popular Music Education
  • Secondary Type


Filter sessions
Apply filters to sessions.