Welcome to the APME Los Angeles 2024 conference. Here you’ll be able to register for the conference and update your Sched profile. A draft of the conference schedule will be available beginning March 1. At that time, you’ll be able to view the schedule and select what presentations you’d like to attend. If you have any questions, please visit our conference website or contact us at conference@popularmusiceducation.org We look forward to coming together as a community June 5–8 to consider the past, present, and future of popular music education.
This presentation aims to address the absence of class in popular music education by 1) providing a framework for how to conceptualize class; 2) applying these frameworks to various genres, including, country, hip hop, punk, and classical music; and 3) offering recommendations for incorporating class consciousness into popular music education.
Dr. Joseph Abramo is an educator with 22 years of experience and is currently a professor of music education at UConn where he teaches graduate and undergraduate courses. He has eight years of teaching middle and high school experience in an urban school district in New York State... Read More →
Country music’s student-age fanbase is growing rapidly, but it remains largely excluded from the school music curriculum. This presentation offers some considerations for country music’s possible inclusion in the music classroom with particular attention to three concerns: the practicality of teaching country, the tricky politics of country, and the implications of incorporating country into the curriculum for music education philosophy.
As an innovative part of the Music Industry degree program at Monmouth University, Blue Hawk Records offers an immersive and collaborative opportunity for students to obtain real-life experience in the various aspects of a recording business venture. This presentation will discuss the context and rationale for developing the student-run record label initiative, along with the methods, outcomes, and challenges of this flagship university program. Attendees will learn how schools might develop and benefit from establishing a similar program.
Hip-hop is a musical movement that emerged in the Bronx in the 1970s, but it also grew and developed in Yonkers, a city that has produced some of the most influential artists and pioneers of the genre. In this presentation, I will explore and go through the foundational timeline and how Yonkers contributed to the evolution of hip-hop, from the early DJ battles, parties, practioners ,Graffiti artist and dancers. Decades before to the rise of global stars like DMX, Mary J. Blige, and Jadakiss. I will use pictures, flyers, and documents to illustrate the history and mpact of Yonkers’ hip-hop scene, as well as readings from the book with testimonies from practitioners and venue owners who witnessed and participated in the growth of the culture. I will also discuss how Yonkers’ hip-hop legacy is being celebrated and preserved today, as the genre marks its 50th anniversary. My presentation aims to show that Yonkers is not only a lost city of hip-hop, but also a vital and vibrant part of its past, present, and future.
Songwriting is a powerful resource for understanding ourselves and the world around us. By teaching songwriting we open the door to new learning, self-discovery and expression. I share my experience as a songwriting teacher and mentor to at-risk youth, and discuss songwriting as a tool in the classroom.
Country music’s origins in the Black community bring perspective to the racism that has persisted and recently has been rising. Emerging artists like Lil Nas X mark a significant turning point. His hit, Old Town Road, defied genre boundaries, and is influential in reshaping country music's narrative.
Among the many unique aspects of popular music is the prevalence of multi-instrumentalism. As popular music educators, we often find ourselves becoming multi-instrumentalists out of necessity. This hands-on workshop provides concrete strategies to improve our own multi-instrumentalism as well as teach student multi-instrumentalists.
Music Supervision is the synchronization of Music to Visual Media. We will discuss the role of a music supervisor and the role as an integral cog in post-production. We will dive into Confirmation of Rights, Quote Requests, Approvals, Music Status Charts, Working with directors, Composers, line Producer, Archival, Legal, etc. & "How/ when to Pitch your intellectual property."
To better understand the impact of certain types of venues in LA County, this research compares the real-estate values of homes located in zip codes with performing arts centers versus stadiums and arenas used for sports and popular music concerts. This research determines how venue type affects local communities.
Band AND will focus on three ways to adapt our curriculum in traditional ensembles: Changing warmups to playing scales and arpeggios to a contemporary music track; changing the repertoire we program to include contemporary genres; and an innovative unit called Band AND which includes songwriting, production, improvisation, and more.
Music Educator, Eastern Carver County School District
27 years is a long time to teach middle school music, but I love it. I was hired to direct concert bands, but the program is much more than that. Students write songs, produce, form their own bands, learn non-band instruments, rap, beatbox and more. Our students perform in rock bands... Read More →
K-pop has in recent years become a global cultural phenomenon. This session will give an introduction to the history of K-pop, it’s place in the global music stage and how K-pop can be a powerful medium for engaging students in culturally responsive world music pedagogy and conversations promoting social justice.
Christy Go is a current PhD student in Music Education at the University of Colorado Boulder. Prior to pursuing her doctoral studies, Christy taught K-8 general music, modern band and orchestra in Aurora, Colorado and taught abroad in the United Kingdom and Japan. Her research interests... Read More →
One of the ways teachers are introducing popular music into their classroom is through the use of a Modern Band ensemble. The purpose of this study is to examine how one modern band teacher in an urban school setting responds to the musical interests and cultures of the students in their classroom.
This workshop will explore the integration of orchestral string instruments (violin, viola, cello, double bass) into myriad genres of popular music making. Equal parts historical retrospective, presentation of ideas/strategies/activities, and interactive hands-on musical experiences, attendees will learn about the ubiquity of strings in popular music, the importance of implementing popular music making experiences into the orchestra classroom, and engage in music making activities that can be replicated in the classroom.
Orchestras and Electronic Music/Beatmaking, Maine South High School
Leo Park has been the director of orchestras at Northside Prep since 2001. He is a graduate of DePaul University's School of Music and earned a Masters of Music Education Degree from VanderCook College of Music. Leo has also served as instructor of string pedagogy and methods at Northeastern... Read More →
Explaining how copyright law and related music industry revenue works to high school and college undergraduate students can be challenging. These are complicated topics, and it can be difficult to know how much information to provide and how to structure it so that it can be understood by these age groups. Giving students foundational knowledge on these topics can help them navigate the complexities of the music industry and protect their musical creations. Educators may feel hesitant to discuss these topics because they have not developed a clear understanding themselves and find the subject intimidating. This session will explore resources that are available to help educators gain a clear understanding of the topics and some ways they can approach teaching it to their students.
Head of Educational Partnerships, The Mechanical Licensing Collective (The MLC)
Serona Elton serves as Head of Educational Partnerships for The Mechanical Licensing Collective (The MLC). In this role, Elton directs The MLC’s efforts to engage future members of the music industry currently studying music business and related subjects at colleges and universities... Read More →
The Mechanical Licensing Collective (The MLC) is a nonprofit organization designated by the U.S. Copyright Office pursuant to the historic Music Modernization Act of 2018.In January 2021, The MLC began administering blanket mechanical licenses to eligible streaming and download... Read More →
Practicing well can be a challenge for developing musicians. Informal learners in particular can fall into habits that do little to affect positive progress in the practice room, especially when technology is involved. This session will demonstrate several ways to practice pop instruments intelligently, with and without technology tools.
Rick Palese is a musician and educator based in Austin, TX. He has taught a variety of music learners representing elementary, secondary, and post-secondary levels. Rick has been on the music education faculty at VanderCook College of Music and The Ohio State University. Most recently... Read More →
Participants are given a songwriting prompt, and writ and perform a short song for the group. The purpose of this experience is to demonstrate the value of songwriting for both secondary-level and university-level music programs, and to suggest approaches for designing projects in such classes.
Ethan Hein holds a PhD in Music Education from New York University. He is an adjunct professor of music at NYU and the New School, where he teaches songwriting, music theory and production. As a founding member of the NYU Music Experience Design Lab, Ethan has taken a leadership role... Read More →
This research proposal explores power imbalances in crossover music, examining how different cultures and countries influence and interact within this genre. By analyzing songs like 'Waka Waka' and 'Lean On,' it aims to provide educators with tools to teach about cultural tensions and ethics in music, aligning with APME's focus on diversity and inclusion.
The misalignment between what is being taught, and what many students want to learn is putting the future of school music in jeopardy. This session gives perspective on how teacher dictatorships cause learning barriers. Countering strategies that promote a democratic classroom will also be discussed in this session.
Adrian Davis, a native of Memphis, Tennessee, is a proud resident of the Minneapolis northside. He is currently the Music and Arts Facilitator for Minneapolis Public Schools. He is also a newly appointed Assistant Professor of Music Education at the University of Minnesota, and the... Read More →
This presentation will share findings from action research on implementing a modern band class within the International Baccalaureate Middle Years Programme framework. What will be uncovered from such partnership, may help popular music educators look at the present of modern band through critical lenses, providing suggestions to navigate the future.
Ph.D. Teaching and Learning Student, Georgia State University
Brazilian guitarist, composer, and percussionist from Rio de Janeiro, Pepe has released two albums of original songs and has composed music for film, theatre, dance, and animation. A well-known music educator, he has taught at The British School in Rio for eight years and at Escola... Read More →